AMANDA DEBOER BARTLETT
PROJECTS & ENSEMBLES
Quince Contemporary Vocal Ensemble
Omaha Under the Radar
ROLES
Lucy Locket The Beggar’s Opera Benjamin Britten
Annie Oakley Annie Get Your Gun Irving Berlin
Bellezza L’Egisto Francesco Cavalli
Melisande Pelleas et Melisande Claude Debussy
Maria The Sound of Music Rodgers and Hammerstein
Galatea Acis and Galatea G.F. Handel
Sandman Hansel und Gretel Engelbert Humperdinck
Dew Fairy Hansel und Gretel Engelbert Humperdinck
Zozo The Merry Widow Franz Lehar
Drusilla L’Incoronazione di Poppea Claudio Monteverdi
Belinda Dido and Aeneas Henry Purcell
Patience Patience Gilbert and Sullivan
Yum Yum The MIKADO Gilbert and Sullivan
ORATORIO AND CHORAL SOLOIST
Ceremony of Carols Bejamin Britten
Requiem Gabriel Faure
St. Cecilia's Mass Charles Gounod
Rothko Chapel Morton Feldman Les Noces Igor Stravinsky
Elijah Felix Mendelssohn
St. Vincent’s Words George Flynn
ORCHESTRAL & ENSEMBLE SOLOIST
Folk Songs Luciano Berio
Without Words Aaron Einbond
General William Booth Enters into Heaven Charles Ives
Le Chemin de Salut Christopher Dietz
The Body Electric Jamie Leigh Sampson
RECORDINGS
Quince Contemporary Vocal Ensemble (2014)
Portrait Album of Aaron Einbond with Ensemble Dal Niente (Recorded 2013)
I Vapor Breath, Contemporary Works for Solo Voice (Released February 2013)
St. Vincent’s Words by George Flynn, Soprano Soloist – Southport Records (Release 2006)
RESEARCH
Ingressive Phonation in Contemporary Vocal Music (dissertation)
Poetic Language in Contemporary Vocal Music
A Symbolist Reading of Anton Webern’s Fünf Lieder nach Gedichten von Stefan George, Op.4
Modern Opera Production in a Technological Age
Poetic Language in Nicholas Demaison’s Ursularia